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@@ -51,9 +51,16 @@ int32,str,str
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47,"TEXT_STMBDZ107_02657_TODO_23",""
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48,"TEXT_STMBDZ107_02657_SAYER_000_000","Heh heh, finished comin' to terms with just how inspired my new plan is?"
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49,"TEXT_STMBDZ107_02657_SAYER_000_001","Anyone that's held a hammer and chisel knows the wonders a good work song can do. After you've been singin' for a while, your swings start to match the song's rhythm and everythin' falls naturally into place─you can work for hours and hours without even realizin' it!"
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50,"TEXT_STMBDZ107_02657_SAYER_000_002","Hammer in one hand, chisel in't other♪
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50,"TEXT_STMBDZ107_02657_SAYER_000_002","Hammer in one hand, chisel in't other♪
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Cuttin' up rocks't bring home't mother♪
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Rocks become gil, gil becomes a house♪
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Our hearts the quarry has, no need for a spouse♪"
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51,"TEXT_STMBDZ107_02657_SAYER_000_003","And the song meanders along in a similar vein after that. The endin', however, is quite somethin'."
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Rocks become gil, gil becomes a house♪
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52,"TEXT_STMBDZ107_02657_SAYER_000_004","Speckled stone, edge of't layer♪
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Sell not this stone to a kindly payer♪
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Nay, search for't pebbles♪
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Young maiden revels♪
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That's how it finishes."
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53,"TEXT_STMBDZ107_02657_SAYER_000_005","“Speckled stone, edge of't layer” refers to changing patterns that adorn the rock found deep underground. The rocks closest to the edge of each layer are the most brittle, you see. That part of the song exists as a warnin' to never sell on inferior stone."
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54,"TEXT_STMBDZ107_02657_SAYER_000_006","Although, you'd struggle to find a quarrier that doesn't know as much. No, it is the “Nay, search for't pebbles. Young maiden revels.” part which I find curious."
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55,"TEXT_STMBDZ107_02657_SAYER_000_007","I believe it to be referrin' to a jewel of some kind. After all, you'd hardly give a young lass any old pebble you just happened to find─no, only the finest jewels would do."
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